The Mahkama du Pacha is one of Casablanca's most lavish showcases of traditional Moroccan craftsmanship — a striking public building tucked into the Quartier Habous, the city's planned 'New Medina'. Completed in the early 1950s, it served both as a courthouse and as the pasha's reception palace and administrative seat, and it was conceived in a Hispano-Moorish, or Mauresque, style. Behind its long arcaded facade lie dozens of rooms — often cited as around sixty — filled with intricately carved cedar ceilings, sculpted stucco, zellij tilework, wrought iron and marble, arranged around fountained courtyards. It remains a working official building, so public access can be limited and irregular; here is what to know before you go.
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What the Mahkama du Pacha is
About. The Mahkama du Pacha was built as the seat of the pasha — the local governor — and combined judicial and administrative functions with grand reception halls. In effect it worked as both a courthouse and a ceremonial palace, where official business, audiences and rulings took place. That dual role explains its scale and richness: it was meant to impress visitors and dignitaries as much as to house everyday administration.
When it was built
About. The building was completed in the early 1950s, late in the French protectorate period, as part of the wider development of the Quartier Habous. Rather than copying a single historic monument, it gathered traditional Moroccan decorative techniques into a purpose-built civic palace, making it one of the more recent yet most elaborate examples of the craft tradition in Casablanca.
Hispano-Moorish style
Architecture. Architecturally the Mahkama is a showcase of the Hispano-Moorish, or Mauresque, manner — horseshoe arches, arcaded galleries, tiled courtyards and richly worked surfaces drawn from Andalusian and Moroccan tradition. The style ties it to the broader Habous quarter, which was planned in the same spirit, and to a wider revival of Moroccan craft forms in 20th-century civic buildings.
Carved cedar ceilings
Craftsmanship. Among the building's signatures are its painted and intricately carved cedar ceilings, worked in the traditional manner with geometric and floral motifs. Cedar has long been prized in Moroccan craftsmanship for fine joinery and carving, and the ceilings here are frequently singled out as a highlight for anyone who manages to see the interior.
Stucco, zellij and ironwork
Craftsmanship. Beyond the woodwork, the rooms display sculpted stucco (carved plaster), zellij — the hand-cut mosaic tilework characteristic of Moroccan decoration — and wrought iron, alongside marble detailing. The combination of these crafts across so many rooms makes the Mahkama a kind of catalogue of traditional Moroccan ornament gathered under one roof.
Courtyards and fountains
Craftsmanship. The interior is organised around courtyards with fountains, in the classic Moroccan pattern that brings light, air and water into the heart of a building. These tiled, fountained spaces give the Mahkama its calm, palatial feel and are central to its appeal, framing the carved and tiled rooms that open off them.
Its place in the Habous
Heritage. The Mahkama stands within the Quartier Habous, the New Medina laid out in the early 20th century as a planned reinterpretation of a traditional Moroccan medina. The building anchors part of the quarter and shares its design language, so visiting it makes most sense as part of exploring the wider Habous of arcaded lanes, craft shops and the Moulay Youssef Mosque.
Access can be limited
Practical. Because the Mahkama remains a working official building, public access is limited and irregular. Visiting may only be possible at certain times, by prior arrangement, or not at all when the building is in official use. There is no fixed tourist timetable to rely on, so it is best to check locally — with a guide, hotel or on the spot — before counting on going inside.
Photography
Practical. When access is allowed, the carved ceilings, tiled courtyards and fountains are the standout subjects, and soft daylight in the courtyards tends to photograph best. As with any active official building, follow any rules or guidance given on the day about where photography is permitted, and be prepared for the exterior alone if the interior is closed.
Combining with the Quartier Habous
Itinerary. The Mahkama pairs naturally with a wider walk through the Quartier Habous and a broader Casablanca day. Many visitors fold it into an afternoon of browsing the Habous craft arcades and seeing the central mosque, often alongside the Hassan II Mosque and the Art Deco downtown, treating the Mahkama as a bonus to enjoy if access happens to be open while you are there.